
Feature · Inside the room
Six weeks inside a physical theatre rehearsal.
A diary from the rehearsal of a new ensemble piece — written by an outsider who left mostly confused, and entirely converted.
The longer side of the magazine. Reported pieces, slow profiles, and the occasional argument. Usually between 3,000 and 7,000 words, usually three drafts beyond what we'd want to admit.

A diary from the rehearsal of a new ensemble piece — written by an outsider who left mostly confused, and entirely converted.

A first-week diary from one of Europe's quieter clown courses, where the red nose comes out late and the silence comes first.

For five years, every piece has been made with people who never trained.

Twenty years of South London cabaret, catalogued by one woman.

One field, three nights, eighty-six attendees — by design.